I painted the bedposts and bedside whiteboard
beside the baseboard, the outlet occupied
by a power cord, the bookshelf, both coffeemakers,
the power strip duct-taped to the brick wall,
the bush outside, the sidewalks, the brick,
the steel fences separating traffic
babble from pedestrian small talk,
then filled the wall in, gave the oak posts
enough depth to hold up four coats,
a backpack, and a shoe lace, swirled
in the condoms and coffee rings
inside the microwave, sketched a Sears
Apple-Jack-colored record player plugged
in, turning dusted Beatles records
like the cosmos, like the snow, squirrel-
hair, and leather-leaf bush outside.
I masked off the concrete, the asphalt,
and construction yard sidewalks,
penciling dead mosquitoes in the cracks
and $2.39 Rock Salt Slush along the edges.
I measured the fence, so each stake hit
the vanishing point like cigarette butts
in cement cereal bowls of cat litter.
But I ran out of paint before I could fill
the mouths of motorist Fuck yous,
the car barks chasing dogs
to the chain-link guard rail,
doorbells and mailbox flags
being flipped up, pay phones
clashing on metal receivers,
church bells, footsteps,
some guy breathing,
and a red-light button Wait.
Maybe it’s for the best.