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JM Romig May 2015
To poetry
guarding chickens
and chronicling crisis in Cleveland

To poetry
fighting back sleep
in a factory of miscarried dreams

To poetry
fighting for justice
with hashtags and cameraphones

To poetry in caves
gathering people like fire

To poetry in Halls
gathering children like home

To poetry
that is loud and activating,

To poetry
that is quiet and contemplative,

To poetry
that is honest and brutal

To poetry
that is tongue in cheek

To poetry,
in all shapes, colors, sizes
forms and meters

To poetry,
and to all of us
who are full of it
JM Romig Apr 2015
everybody’s angel bodies
find happening midnight
on Kansas pavements
hipsters’ motherwords are wholely robed by time
instant everything is ordinary
buggered city  immortals --
annoyed, parentless, marijuana everymans
swiftly digging unknown eternity
groaning strange in the long mysterious night
roaring, vibrating kindness
from their holy tongues
blazing inner hideous human gold
draining ***** forever
draining everything
forever -
Moloch, Buddha, Abyss
Reduce, Reuse, Recycle
Mostly a Cutup from "Daydreaming of Ginsberg" by Jack Kerouac, and "Footnote to Howl" by Allen Ginsberg. NaPoWriMo 2015

To make sense of it, imagine its explaining the modern world to the beat generation in their own language.
JM Romig Apr 2015
Old gentle vague dark sea
stars uncoffined above
my drummer grave
blind of age,
meet Mr. Numb Feelgood
he is dying - chasing smoke,  
following a blind parade
wanderin’ anywhere forked like Yes
at every dusty, homely, strange-eyed landmark
until driven deep down dead

Dear old diamonds,
my sleepy southern song spell fades ,
my past was a young clown
dancing, swingin' my magic heels
raging and cursing death’s grip on time

Now, I feel that morning’s fierce burn
vanishing into a tambourine memory
and I’m caught madly dreaming
against the ragged anywhere
to return green tomorrow
This poem was composed primarily from words found in Bob Dylan's "Tambourine Man", Dylan Thomas' "Do Not Go Gentle Into That Good Night", and Thomas Hardy's Drummer Hodge

NaPoWriMo
JM Romig Apr 2015
Across the court yard
The amorous twentysomethings
Open their window for the first time

They let the sun shine in -
They do not believe in curtains -
They let the sunshine in

He is Adonis
She is Mona Lisa
I hate them so much

It’s five in the morning
Our child screams us awake
Meanwhile, they sleep until noon

Passing by the window
I glimpse at the lovers entwined
“Not tonight” you yawn

Our friends are laughing
About what, we cannot tell
All we see is their love

He brings her breakfast in bed
Maybe it’s a birthday present? I suggest
Or he ******* up, bigtime - you reply cynically

They’ve become background noise
Only witnessed in passing
Or referenced in our idle conversation

A few weeks have passed
Their room is empty and still
We almost forget they were ever there

She sits on her bed and stares at nothing
She has not moved for hours –
A lonely still life

Adonis is waning
His eyes are sinking, and he’s losing hair
He’s become a walking skeleton

He does not move much these days
All of the time, she waits by his side
For whatever comes next

I keep telling you
That he will soon recover
I have to believe this

He's sitting up today
Telling jokes and laughing,
She's cracking that famous smile

The room is now full
With what must be family and friends
Saying their goodbyes

She is being cradled
by, I think, her mother – or aunt
We weep along

The guests are now long gone
The silence settles like dust
She holds his hand while he fades

Soon, it will be just her (and us)
Left in this quiet room
Alone
napowrimo2015  8/30
JM Romig Apr 2015
I
The phone was screaming in my pocket
its voice was muffled by the pile of clothes
on top of it

The hotel water was almost too hot
it blushed my scalp
and cascaded down my face
in a way that should have felt like baptism
but didn't

After what felt like an eternity
the call went to the black hole
that is my neglected voicemail
now at over a hundred missed calls

I didn’t want to talk
not to Dad, not to Mom,
not to my fiancé,
and definitely not to some reporter
trying to make our ****** up family
the topic of the nine o’clock news

II
The pipes in the wall
clunked around for a second
as I turned the ****, cutting the water off
I stepped out of the shower
somehow feeling less clean than when I entered

For a moment I stood there,
towel over my head
in complete darkness

I closed my eyes and saw him
standing across from me
his eyes, locked with mine
dad’s gun in his shaking hands -
pointed directly at my head
unblinking, full of hatred, anger
and fear

They’ll call him a monster
and knowing what he’s done,
I won’t be able to say they’re wrong

III
Sympathizers will say that the divorce
messed him up somehow
or that he inherited our mother’s mental illness
or that he played too many first person shooters –
which is just ******* stupid

Lying on the hotel bed,
I nakedly examined the ceiling
mapping out the distance between water stains
like a cartographer

The last time he called me
he was in tears,
because some ****** from his school
beat him to a pulp
and shoved his face in dog ****

I can’t help but dwell
on something I said to him that night:

“People like that don’t change
they become ******* adults
and keep kicking people around
because they can
Because they’re rich and we’re poor
and they don’t want to see people like us
we remind them that the world isn't perfect
and doesn't revolve around them”


I don’t want to believe
that I planted the seed,
that the one time he listened to me –

IV
Six people died
most of them, kids no older than seventeen
one teacher, and a janitor - tagged by a stray bullet
two kids have been in critical condition
for the last three days

He must have been terrified
in those last moments
before the cops riddled him with holes

He must have regretted it
or at least regretted
not having an escape plan

He never did think things through
unlike me,
connecting the countries on the ceiling
drawing imaginary lines
of cause and effect
and trying to figure out what it means
to be a big brother
in the absence of a little one
Napowrimo 4-7
JM Romig Apr 2015
The still quiet of the empty apartment
serves to only echo the steady tapping
of rainwater dripping onto the concrete
just outside the window

Everything feels like it should be painted
by Picasso, during his blue period
in various shades of the clam, but icy color

The fact that it isn't
gives the soul a sense of nervous
displacement. All of these commonplace
colors and shapes feel foreign and surreal

The world seems like it should be frozen
in both the sense of stillness and temperature
but it’s not

A warm breeze is moving the bland, beige curtains
and that is more terrifying than any monster
that has never hidden under your bed

The rainwater still drips, and echoes
and nothing is wrong, out of place, or eerie
except that it should be

and so it is
napowrimo 2015
JM Romig Jan 2015
Two hours till Kentucky-
The world is on fast-forward around us
The side of my forehead is flat
against the passenger side window
Trees crowd behind guardrail for miles - 
protesting highway pollution.

Two hours till Kentucky -
On the eighth round about this CD.
about around the fifth listen, songs began to blend into one another, morphing into ambient noise
that filled the empty moments between conversation
and the struggle against waves of tempting sleep.

Two hours till Kentucky-
I pause the song to explain
the biographical significance
of a particular lyric.
You're too focused on
the nerve-wracking traffic to indulge me.

Two hours till Kenricky-
My seat reclined, I am watching the clouds
creeping briskly across the sky
through the panorama of the windshield -
a silent movie.

Two hours till Kentucky -
an eternity of moments
gone as soon as they happen.
Evaporating into the air

We'll be there
in no time.
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