Searching my heart for its true sorrow,
  This is the thing I find to be:
That I am weary of words and people,
  Sick of the city, wanting the sea;

Wanting the sticky, salty sweetness
  Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
  Of the big surf that breaks all day.

Always before about my dooryard,
  Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
  Straggled the purple wild sweet-pea;

Always I climbed the wave at morning,
  Shook the sand from my shoes at night,
That now am caught beneath great buildings,
  Stricken with noise, confused with light.

If I could hear the green piles groaning
  Under the windy wooden piers,
See once again the bobbing barrels,
  And the black sticks that fence the weirs,

If I could see the weedy mussels
  Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
  Overhead, of the wheeling gulls,

Feel once again the shanty straining
  Under the turning of the tide,
Fear once again the rising freshet,
  Dread the bell in the fog outside,—

I should be happy,—that was happy
  All day long on the coast of Maine!
I have a need to hold and handle
  Shells and anchors and ships again!

I should be happy, that am happy
  Never at all since I came here.
I am too long away from water.
  I have a need of water near.

When I too long have looked upon your face,
Wherein for me a brightness unobscured
Save by the mists of brightness has its place,
And terrible beauty not to be endured,
I turn away reluctant from your light,
And stand irresolute, a mind undone,
A silly, dazzled thing deprived of sight
From having looked too long upon the sun.
Then is my daily life a narrow room
In which a little while, uncertainly,
Surrounded by impenetrable gloom,
Among familiar things grown strange to me
Making my way, I pause, and feel, and hark,
Till I become accustomed to the dark.

The trees along this city street,
  Save for the traffic and the trains,
Would make a sound as thin and sweet
  As trees in country lanes.

And people standing in their shade
  Out of a shower, undoubtedly
Would hear such music as is made
  Upon a country tree.

Oh, little leaves that are so dumb
  Against the shrieking city air,
I watch you when the wind has come,—
  I know what sound is there.

Only until this cigarette is ended,
A little moment at the end of all,
While on the floor the quiet ashes fall,
And in the firelight to a lance extended,
Bizarrely with the jazzing music blended,
The broken shadow dances on the wall,
I will permit my memory to recall
The vision of you, by all my dreams attended.
And then adieu,—farewell!—the dream is done.
Yours is a face of which I can forget
The color and the features, every one,
The words not ever, and the smiles not yet;
But in your day this moment is the sun
Upon a hill, after the sun has set.

We talk of taxes, and I call you friend;
Well, such you are,—but well enough we know
How thick about us root, how rankly grow
Those subtle weeds no man has need to tend,
That flourish through neglect, and soon must send
Perfume too sweet upon us and overthrow
Our steady senses; how such matters go
We are aware, and how such matters end.
Yet shall be told no meagre passion here;
With lovers such as we forevermore
Isolde drinks the draught, and Guinevere
Receives the Table’s ruin through her door,
Francesca, with the loud surf at her ear,
Lets fall the colored book upon the floor.

Be to her, Persephone,
All the things I might not be;
Take her head upon your knee.
She that was so proud and wild,
Flippant, arrogant and free,
She that had no need of me,
Is a little lonely child
Lost in Hell,—Persephone,
Take her head upon your knee;
Say to her, “My dear, my dear,
It is not so dreadful here.”

The railroad track is miles away,
  And the day is loud with voices speaking,
Yet there isn’t a train goes by all day
  But I hear its whistle shrieking.

All night there isn’t a train goes by,
  Though the night is still for sleep and dreaming
But I see its cinders red on the sky,
  And hear its engine steaming.

My heart is warm with the friends I make,
  And better friends I’ll not be knowing,
Yet there isn’t a train I wouldn’t take,
  No matter where it’s going.

Heap not on this mound
  Roses that she loved so well;
Why bewilder her with roses,
  That she cannot see or smell?
She is happy where she lies
  With the dust upon her eyes.

All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I’d started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I’ll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top!
The sky, I thought, is not so grand;
I ‘most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick’ning, I would fain pluck thence
But could not,—nay! But needs must ****
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious ******,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain!  And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight!  Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who’s six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again!  Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud’s gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind’s whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and ******
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
Ah!  Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e’er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.

Love, though for this you riddle me with darts,
And drag me at your chariot till I die,—
Oh, heavy prince! O, panderer of hearts!—
Yet hear me tell how in their throats they lie
Who shout you mighty: thick about my hair,
Day in, day out, your ominous arrows purr,
Who still am free, unto no querulous care
A fool, and in no temple worshiper!
I, that have bared me to your quiver’s fire,
Lifted my face into its puny rain,
Do wreathe you Impotent to Evoke Desire
As you are Powerless to Elicit Pain!
(Now will the god, for blasphemy so brave,
Punish me, surely, with the shaft I crave!)

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale ***,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half
And the black beast of the beetles' pews
(Sighed the old ram rod, dying of *******),
Not a boy and a bit in the wick-
Dipping moon and drunk as a new dropped calf,
I whistled all night in the twisted flues,
Midwives grew in the midnight ditches,
And the sizzling sheets of the town cried, Quick!-
Whenever I dove in a breast high shoal,
Wherever I ramped in the clover quilts,
Whatsoever I did in the coal-
Black night, I left my quivering prints.

When I was a man you could call a man
And the black cross of the holy house,
(Sighed the old ram rod, dying of welcome),
Brandy and ripe in my bright, bass prime,
No springtailed tom in the red hot town
With every simmering woman his mouse
But a hillocky bull in the swelter
Of summer come in his great good time
To the sultry, biding herds, I said,
Oh, time enough when the blood runs cold,
And I lie down but to sleep in bed,
For my sulking, skulking, coal black soul!

When I was half the man I was
And serve me right as the preachers warn,
(Sighed the old ram rod, dying of downfall),
No flailing calf or cat in a flame
Or hickory bull in milky grass
But a black sheep with a crumpled horn,
At last the soul from its foul mousehole
Slunk pouting out when the limp time came;
And I gave my soul a blind, slashed eye,
Gristle and rind, and a roarers' life,
And I shoved it into the coal black sky
To find a woman's soul for a wife.

Now I am a man no more no more
And a black reward for a roaring life,
(Sighed the old ram rod, dying of strangers),
Tidy and cursed in my dove cooed room
I lie down thin and hear the good bells jaw--
For, oh, my soul found a sunday wife
In the coal black sky and she bore angels!
Harpies around me out of her womb!
Chastity prays for me, piety sings,
Innocence sweetens my last black breath,
Modesty hides my thighs in her wings,
And all the deadly virtues plague my death!

I will be the gladdest thing
  Under the sun!
I will touch a hundred flowers
  And not pick one.

I will look at cliffs and clouds
  With quiet eyes,
Watch the wind bow down the grass,
  And the grass rise.

And when lights begin to show
  Up from the town,
I will mark which must be mine,
  And then start down!

Before she has her floor swept
  Or her dishes done,
Any day you’ll find her
  A-sunning in the sun!

It’s long after midnight
  Her key’s in the lock,
And you never see her chimney smoke
  Till past ten o’clock!

She digs in her garden
  With a shovel and a spoon,
She weeds her lazy lettuce
  By the light of the moon.

She walks up the walk
  Like a woman in a dream,
She forgets she borrowed butter
  And pays you back cream!

Her lawn looks like a meadow,
  And if she mows the place
She leaves the clover standing
  And the Queen Anne’s lace!

Aye, but she?
  Your other sister and my other soul
  Grave Silence, lovelier
  Than the three loveliest maidens, what of her?
  Clio, not you,
  Not you, Calliope,
  Nor all your wanton line,
  Not Beauty’s perfect self shall comfort me
  For Silence once departed,
  For her the cool-tongued, her the tranquil-hearted,
  Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore,
I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
“She will love well,” I said,
“If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter’s daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition’s lean and inauspicious loam).
She will love well,” I said,
“The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern ***** in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound.”

“I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid ***** weaned away,
If only she therewith be given me back?”
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven’s lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche’s lamp out of the earth up-******,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.

There twists the bitter-sweet, the white wisteria
Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters’ laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister’s body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

                        (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
“There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell,” she saith,
“Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there.”

Oh, radiant Song!  Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine.

Lift up your lyres!  Sing on!
But as for me, I seek your sister whither she is gone.

Oh, come again to Astolat!
  I will not ask you to be kind.
And you may go when you will go,
  And I will stay behind.

I will not say how dear you are,
  Or ask you if you hold me dear,
Or trouble you with things for you
  The way I did last year.

So still the orchard, Lancelot,
  So very still the lake shall be,
You could not guess—though you should guess—
  What is become of me.

So wide shall be the garden-walk,
  The garden-seat so very wide,
You needs must think—if you should think—
  The lily maid had died.

Save that, a little way away,
  I’d watch you for a little while,
To see you speak, the way you speak,
  And smile,—if you should smile.

No matter what I say,
  All that I really love
Is the rain that flattens on the bay,
  And the eel-grass in the cove;
The jingle-shells that lie and bleach
  At the tide-line, and the trace
Of higher tides along the beach:
  Nothing in this place.

She is neither pink nor pale,
  And she never will be all mine;
She learned her hands in a fairy-tale,
  And her mouth on a valentine.

She has more hair than she needs;
  In the sun ’tis a woe to me!
And her voice is a string of colored beads,
Or steps leading into the sea.

She loves me all that she can,
  And her ways to my ways resign;
But she was not made for any man,
  And she never will be all mine.

Too proud to die; broken and blind he died
The darkest way, and did not turn away,
A cold kind man brave in his narrow pride

On that darkest day.  Oh, forever may
He lie lightly, at last, on the last, crossed
Hill, under the grass, in love, and there grow

Young among the long flocks, and never lie lost
Or still all the numberless days of his death, though
Above all he longed for his mother's breast

Which was rest and dust, and in the kind ground
The darkest justice of death, blind and unblessed.
Let him find no rest but be fathered and found,

I prayed in the crouching room, by his blind bed,
In the muted house, one minute before
Noon, and night, and light.  The rivers of the dead

Veined his poor hand I held, and I saw
Through his unseeing eyes to the roots of the sea.
(An old tormented man three-quarters blind,

I am not too proud to cry that He and he
Will never never go out of my mind.
All his bones crying, and poor in all but pain,

Being innocent, he dreaded that he died
Hating his God, but what he was was plain:
An old kind man brave in his burning pride.

The sticks of the house were his; his books he owned.
Even as a baby he had never cried;
Nor did he now, save to his secret wound.

Out of his eyes I saw the last light glide.
Here among the light of the lording sky
An old blind man is with me where I go

Walking in the meadows of his son's eye
On whom a world of ills came down like snow.
He cried as he died, fearing at last the spheres'

Last sound, the world going out without a breath:
Too proud to cry, too frail to check the tears,
And caught between two nights, blindness and death.

O deepest wound of all that he should die
On that darkest day.  Oh, he could hide
The tears out of his eyes, too proud to cry.

For the sake of some things
  That be now no more
I will strew rushes
  On my chamber-floor,
I will plant bergamot
  At my kitchen-door.

For the sake of dim things
  That were once so plain
I will set a barrel
  Out to catch the rain,
I will hang an iron ***
  On an iron crane.

Many things be dead and gone
  That were brave and gay;
For the sake of these things
  I will learn to say,
“An it please you, gentle sirs,”
  “Alack!” and “Well-a-day!”

If I should learn, in some quite casual way,
  That you were gone, not to return again—
Read from the back-page of a paper, say,
  Held by a neighbor in a subway train,
How at the corner of this avenue
  And such a street (so are the papers filled)
A hurrying man—who happened to be you—
  At noon to-day had happened to be killed,
I should not cry aloud—I could not cry
  Aloud, or wring my hands in such a place—
I should but watch the station lights rush by
  With a more careful interest on my face,
Or raise my eyes and read with greater care
Where to store furs and how to treat the hair.

Give me truths,
For I am weary of the surfaces,
And die of inanition. If I knew
Only the herbs and simples of the wood,
Rue, cinquefoil, gill, vervain, and pimpernel,
Blue-vetch, and trillium, hawkweed, sassafras,
Milkweeds, and murky brakes, quaint pipes and sundew,
And rare and virtuous roots, which in these woods
Draw untold juices from the common earth,
Untold, unknown, and I could surely spell
Their fragrance, and their chemistry apply
By sweet affinities to human flesh,
Driving the foe and stablishing the friend,—
O that were much, and I could be a part
Of the round day, related to the sun,
And planted world, and full executor
Of their imperfect functions.
But these young scholars who invade our hills,
Bold as the engineer who fells the wood,
And travelling often in the cut he makes,
Love not the flower they pluck, and know it not,
And all their botany is Latin names.
The old men studied magic in the flower,
And human fortunes in astronomy,
And an omnipotence in chemistry,
Preferring things to names, for these were men,
Were unitarians of the united world,
And wheresoever their clear eyebeams fell,
They caught the footsteps of the SAME. Our eyes
Are armed, but we are strangers to the stars,
And strangers to the mystic beast and bird,
And strangers to the plant and to the mine;
The injured elements say, Not in us;
And night and day, ocean and continent,
Fire, plant, and mineral say, Not in us,
And haughtily return us stare for stare.
For we invade them impiously for gain,
We devastate them unreligiously,
And coldly ask their pottage, not their love,
Therefore they shove us from them, yield to us
Only what to our griping toil is due;
But the sweet affluence of love and song,
The rich results of the divine consents
Of man and earth, of world beloved and lover,
The nectar and ambrosia are withheld;
And in the midst of spoils and slaves, we thieves
And pirates of the universe, shut out
Daily to a more thin and outward rind,
Turn pale and starve. Therefore to our sick eyes,
The stunted trees look sick, the summer short,
Clouds shade the sun, which will not tan our hay.
And nothing thrives to reach its natural term,
And life, shorn of its venerable length,
Even at its greatest space, is a defeat,
And dies in anger that it was a dupe,
And, in its highest noon and wantonness,
Is early frugal like a beggar's child:
With most unhandsome calculation taught,
Even in the hot pursuit of the best aims
And prizes of ambition, checks its hand,
Like Alpine cataracts, frozen as they leaped,
Chilled with a miserly comparison
Of the toy's purchase with the length of life.

And if I loved you Wednesday,
  Well, what is that to you?
I do not love you Thursday—
  So much is true.

And why you come complaining
  Is more than I can see.
I loved you Wednesday,—yes—but what
  Is that to me?

White with daisies and red with sorrel
  And empty, empty under the sky!—
Life is a quest and love a quarrel—
  Here is a place for me to lie.

Daisies spring from ****** seeds,
  And this red fire that here I see
Is a worthless crop of crimson weeds,
  Cursed by farmers thriftily.

But here, unhated for an hour,
  The sorrel runs in ragged flame,
The daisy stands, a ******* flower,
  Like flowers that bear an honest name.

And here a while, where no wind brings
  The baying of a pack athirst,
May sleep the sleep of blessed things,
  The blood too bright, the brow accurst.

The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—

Sharp, unfamiliar odors have destroyed
Each other room’s dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe’er I look is hideous change.
Save here.  Here ’twas as if a ****-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, “I have been here before!”

You are not here.  I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust’s grey fingers like a shielded light.

There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here.  I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, “I wonder what comes next,
And whether this or this will be the end”;
So rose, and left it, thinking to return.

Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro. . .

And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a “t”,
And here another like it, just beyond
These two eccentric “e’s”.  You were so small,
And wrote so brave a hand!
                         How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again.  If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, “I picked the first sweet-pea to-day.”
To-day!  Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back!
That day you filled this circle of my arms
That now is empty.  (O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me!  I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.)  And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew.  (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.)  What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th’ eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea!  I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure. I am not sure,
Even, if it was white or pink; for then
’Twas much like any other flower to me,
Save that it was the first.  I did not know,
Then, that it was the last.  If I had known—
But then, it does not matter.  Strange how few,
After all’s said and done, the things that are
Of moment.
     Few indeed!  When I can make
Of ten small words a rope to hang the world!
“I had you and I have you now no more.”
There, there it dangles,—where’s the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down!  I wish to see
Just how a thing like that will look on paper!

“I had you and I have you now no more.”

O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on!  Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery!  O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer?  ’Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!

We were so wholly one I had not thought
That we could die apart.  I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre.  And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you.  I have been torn
In two, and suffer for the rest of me.
What is my life to me?  And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?

Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast’s wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms.  What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world?  You were my song!
Now, let discord scream!  You were my flower!
Now let the world grow weeds!  For I shall not
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.

I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, “My face is turned to you”;
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second’s space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail!  Let drip its easy tears!
My sorrow shall be dumb!

—What do I say?
God! God!—God pity me!  Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken?  Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting!  Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead!  Not Truth, but Faith, it is
That keeps the world alive.  If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!

O God, I see it now, and my sick brain
Staggers and swoons!  How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—

                     *

Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep.  Though you were dead again,
I am but flesh and blood and I must sleep.

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots,
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

**, Giant!  This is I!
I have built me a bean-stalk into your sky!
La,—but it’s lovely, up so high!

This is how I came,—I put
Here my knee, there my foot,
Up and up, from shoot to shoot—
And the blessed bean-stalk thinning
Like the mischief all the time,
Till it took me rocking, spinning,
In a dizzy, sunny circle,
Making angles with the root,
Far and out above the cackle
Of the city I was born in,
Till the little ***** city
In the light so sheer and sunny
Shone as dazzling bright and pretty
As the money that you find
In a dream of finding money—
What a wind!  What a morning!—

Till the tiny, shiny city,
When I shot a glance below,
Shaken with a giddy laughter,
Sick and blissfully afraid,
Was a dew-drop on a blade,
And a pair of moments after
Was the whirling guess I made,—
And the wind was like a whip

Cracking past my icy ears,
And my hair stood out behind,
And my eyes were full of tears,
Wide-open and cold,
More tears than they could hold,
The wind was blowing so,
And my teeth were in a row,
Dry and grinning,
And I felt my foot slip,
And I scratched the wind and whined,
And I clutched the stalk and jabbered,
With my eyes shut blind,—
What a wind!  What a wind!

Your broad sky, Giant,
Is the shelf of a cupboard;
I make bean-stalks, I’m
A builder, like yourself,
But bean-stalks is my trade,
I couldn’t make a shelf,
Don’t know how they’re made,
Now, a bean-stalk is more pliant—
La, what a climb!

If he should lie a-dying


I am not willing you should go
Into the earth, where Helen went;
She is awake by now, I know.
Where Cleopatra’s anklets rust
You will not lie with my consent;
And Sappho is a roving dust;
Cressid could love again; Dido,
Rotted in state, is restless still;
You leave me much against my will.

Give away her gowns,
Give away her shoes;
She has no more use
For her fragrant gowns;
Take them all down,
Blue, green, blue,
Lilac, pink, blue,
From their padded hangers;
She will dance no more
In her narrow shoes;
Sweep her narrow shoes
From the closet floor.

There will be rose and rhododendron
  When you are dead and under ground;
Still will be heard from white syringas
  Heavy with bees, a sunny sound;

Still will the tamaracks be raining
  After the rain has ceased, and still
Will there be robins in the stubble,
  Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
  Nothing will know that you are gone,
Saving alone some sullen plough-land
  None but yourself sets foot upon;

Saving the may-**** and the pig-****
  Nothing will know that you are dead,—
These, and perhaps a useless wagon
  Standing beside some tumbled shed.

Oh, there will pass with your great passing
  Little of beauty not your own,—
Only the light from common water,
  Only the grace from simple stone!

I shall forget you presently, my dear,
So make the most of this, your little day,
Your little month, your little half a year,
Ere I forget, or die, or move away,
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my favorite vow.
I would indeed that love were longer-lived,
And vows were not so brittle as they are,
But so it is, and nature has contrived
To struggle on without a break thus far,—
Whether or not we find what we are seeking
Is idle, biologically speaking.

All right,
Go ahead!
What’s in a name?
I guess I’ll be locked into
As much as I’m locked out of!

Why do you follow me?—
Any moment I can be
Nothing but a laurel-tree.

Any moment of the chase
I can leave you in my place
A pink bough for your embrace.

Yet if over hill and hollow
Still it is your will to follow,
I am off;—to heel, Apollo!

Sorrow like a ceaseless rain
  Beats upon my heart.
People twist and scream in pain,—
Dawn will find them still again;
This has neither wax nor wane,
  Neither stop nor start.

People dress and go to town;
  I sit in my chair.
All my thoughts are slow and brown:
Standing up or sitting down
Little matters, or what gown
  Or what shoes I wear.

Safe upon the solid rock the ugly houses stand:
  Come and see my shining palace built upon the sand!

Oh, think not I am faithful to a vow!
Faithless am I save to love’s self alone.
Were you not lovely I would leave you now:
After the feet of beauty fly my own.
Were you not still my hunger’s rarest food,
And water ever to my wildest thirst,
I would desert you—think not but I would!—
And seek another as I sought you first.
But you are mobile as the veering air,
And all your charms more changeful than the tide,
Wherefore to be inconstant is no care:
I have but to continue at your side.
So wanton, light and false, my love, are you,
I am most faithless when I most am true.

As to some lovely temple, tenantless
Long since, that once was sweet with shivering brass,
Knowing well its altars ruined and the grass
Grown up between the stones, yet from excess
Of grief hard driven, or great loneliness,
The worshiper returns, and those who pass
Marvel him crying on a name that was,—
So is it now with me in my distress.
Your body was a temple to Delight;
Cold are its ashes whence the breath is fled,
Yet here one time your spirit was wont to move;
Here might I hope to find you day or night,
And here I come to look for you, my love,
Even now, foolishly, knowing you are dead.

Am I kin to Sorrow,
  That so oft
Falls the knocker of my door—
  Neither loud nor soft,
But as long accustomed,
  Under Sorrow’s hand?
Marigolds around the step
  And rosemary stand,
And then comes Sorrow—
  And what does Sorrow care
For the rosemary
  Or the marigolds there?
Am I kin to Sorrow?
  Are we kin?
That so oft upon my door—
  Oh, come in!

I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more;
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!

And you as well must die, beloved dust,
And all your beauty stand you in no stead;
This flawless, vital hand, this perfect head,
This body of flame and steel, before the gust
Of Death, or under his autumnal frost,
Shall be as any leaf, be no less dead
Than the first leaf that fell,—this wonder fled.
Altered, estranged, disintegrated, lost.
Nor shall my love avail you in your hour.
In spite of all my love, you will arise
Upon that day and wander down the air
Obscurely as the unattended flower,
It mattering not how beautiful you were,
Or how beloved above all else that dies.

I said,—for Love was laggard, O, Love was slow to come,—
  “I’ll hear his step and know his step when I am warm in bed;
But I’ll never leave my pillow, though there be some
  As would let him in—and take him in with tears!” I said.
I lay,—for Love was laggard, O, he came not until dawn,—
  I lay and listened for his step and could not get to sleep;
And he found me at my window with my big cloak on,
  All sorry with the tears some folks might weep!

Butterflies are white and blue
In this field we wander through.
Suffer me to take your hand.
Death comes in a day or two.

All the things we ever knew
Will be ashes in that hour,
Mark the transient butterfly,
How he hangs upon the flower.

Suffer me to take your hand.
Suffer me to cherish you
Till the dawn is in the sky.
Whether I be false or true,
Death comes in a day or two.

I think I should have loved you presently,
And given in earnest words I flung in jest;
And lifted honest eyes for you to see,
And caught your hand against my cheek and breast;
And all my pretty follies flung aside
That won you to me, and beneath your gaze,
Naked of reticence and shorn of pride,
Spread like a chart my little wicked ways.
I, that had been to you, had you remained,
But one more waking from a recurrent dream,
Cherish no less the certain stakes I gained,
And walk your memory’s halls, austere, supreme,
A ghost in marble of a girl you knew
Who would have loved you in a day or two.

When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,—
Then leans on me the weight of the year, and crushes
My heart.  I know that Beauty must ail and die,
And will be born again,—but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn!  Autumn!—What is the Spring to me?

Oh, here the air is sweet and still,
  And soft’s the grass to lie on;
And far away’s the little hill
  They took for Christ to die on.

And there’s a hill across the brook,
  And down the brook’s another;
But, oh, the little hill they took,—
  I think I am its mother!

The moon that saw Gethsemane,
  I watch it rise and set:
It has so many things to see,
  They help it to forget.

But little hills that sit at home
  So many hundred years,
Remember Greece, remember Rome,
  Remember Mary’s tears.

And far away in Palestine,
  Sadder than any other,
Grieves still the hill that I call mine,—
  I think I am its mother!

Oh, I am grown so free from care
  Since my heart broke!
I set my throat against the air,
  I laugh at simple folk!

There’s little kind and little fair
  Is worth its weight in smoke
To me, that’s grown so free from care
  Since my heart broke!

Lass, if to sleep you would repair
  As peaceful as you woke,
Best not besiege your lover there
  For just the words he spoke
To me, that’s grown so free from care
  Since my heart broke!

I

I had forgotten how the frogs must sound
After a year of silence, else I think
I should not so have ventured forth alone
At dusk upon this unfrequented road.

II

I am waylaid by Beauty.  Who will walk
Between me and the crying of the frogs?
Oh, savage Beauty, suffer me to pass,
That am a timid woman, on her way
From one house to another!

I know what my heart is like
  Since your love died:
It is like a hollow ledge
Holding a little pool
  Left there by the tide,
  A little tepid pool,
Drying inward from the edge.

God had called us, and we came;
  Our loved Earth to ashes left;
Heaven was a neighbor’s house,
  Open to us, bereft.

Gay the lights of Heaven showed,
  And ’twas God who walked ahead;
Yet I wept along the road,
  Wanting my own house instead.

Wept unseen, unheeded cried,
  “All you things my eyes have kissed,
Fare you well!  We meet no more,
  Lovely, lovely tattered mist!

Weary wings that rise and fall
  All day long above the fire!”—
Red with heat was every wall,
  Rough with heat was every wire—

“Fare you well, you little winds
  That the flying embers chase!
Fare you well, you shuddering day,
  With your hands before your face!

And, ah, blackened by strange blight,
  Or to a false sun unfurled,
Now forevermore goodbye,
  All the gardens in the world!

On the windless hills of Heaven,
  That I have no wish to see,
White, eternal lilies stand,
  By a lake of ebony.

But the Earth forevermore
  Is a place where nothing grows,—
Dawn will come, and no bud break;
  Evening, and no blossom close.

Spring will come, and wander slow
  Over an indifferent land,
Stand beside an empty creek,
  Hold a dead seed in her hand.”

God had called us, and we came,
  But the blessed road I trod
Was a bitter road to me,
  And at heart I questioned God.

“Though in Heaven,” I said, “be all
  That the heart would most desire,
Held Earth naught save souls of sinners
  Worth the saving from a fire?

Withered grass,—the wasted growing!
  Aimless ache of laden boughs!”
Little things God had forgotten
  Called me, from my burning house.

“Though in Heaven,” I said, “be all
  That the eye could ask to see,
All the things I ever knew
  Are this blaze in back of me.”

“Though in Heaven,” I said, “be all
  That the ear could think to lack,
All the things I ever knew
  Are this roaring at my back.”

It was God who walked ahead,
  Like a shepherd to the fold;
In his footsteps fared the weak,
  And the weary and the old,

Glad enough of gladness over,
  Ready for the peace to be,—
But a thing God had forgotten
  Was the growing bones of me.

And I drew a bit apart,
  And I lagged a bit behind,
And I thought on Peace Eternal,
  Lest He look into my mind:

And I gazed upon the sky,
  And I thought of Heavenly Rest,—
And I slipped away like water
  Through the fingers of the blest!

All their eyes were fixed on Glory,
  Not a glance brushed over me;
“Alleluia!  Alleluia!”
  Up the road,—and I was free.

And my heart rose like a freshet,
  And it swept me on before,
Giddy as a whirling stick,
  Till I felt the earth once more.

All the earth was charred and black,
  Fire had swept from pole to pole;
And the bottom of the sea
  Was as brittle as a bowl;

And the timbered mountain-top
  Was as naked as a skull,—
Nothing left, nothing left,
  Of the Earth so beautiful!

“Earth,” I said, “how can I leave you?”
  “You are all I have,” I said;
“What is left to take my mind up,
  Living always, and you dead?”

“Speak!” I said, “Oh, tell me something!
  Make a sign that I can see!
For a keepsake!  To keep always!
  Quick!—before God misses me!”

And I listened for a voice;—
  But my heart was all I heard;
Not a screech-owl, not a loon,
  Not a tree-toad said a word.

And I waited for a sign;—
  Coals and cinders, nothing more;
And a little cloud of smoke
  Floating on a valley floor.

And I peered into the smoke
  Till it rotted, like a fog:—
There, encompassed round by fire,
  Stood a blue-flag in a bog!

Little flames came wading out,
  Straining, straining towards its stem,
But it was so blue and tall
  That it scorned to think of them!

Red and thirsty were their tongues,
  As the tongues of wolves must be,
But it was so blue and tall—
  Oh, I laughed, I cried, to see!

All my heart became a tear,
  All my soul became a tower,
Never loved I anything
  As I loved that tall blue flower!

It was all the little boats
  That had ever sailed the sea,
It was all the little books
  That had gone to school with me;

On its roots like iron claws
  Rearing up so blue and tall,—
It was all the gallant Earth
  With its back against a wall!

In a breath, ere I had breathed,—
  Oh, I laughed, I cried, to see!—
I was kneeling at its side,
  And it leaned its head on me!

Crumbling stones and sliding sand
  Is the road to Heaven now;
Icy at my straining knees
  Drags the awful under-tow;

Soon but stepping-stones of dust
  Will the road to Heaven be,—
Father, Son and Holy Ghost,
  Reach a hand and rescue me!

“There—there, my blue-flag flower;
  Hush—hush—go to sleep;
That is only God you hear,
  Counting up His folded sheep!

Lullabye—lullabye—
  That is only God that calls,
Missing me, seeking me,
  Ere the road to nothing falls!

He will set His mighty feet
  Firmly on the sliding sand;
Like a little frightened bird
  I will creep into His hand;

I will tell Him all my grief,
  I will tell Him all my sin;
He will give me half His robe
  For a cloak to wrap you in.

Lullabye—lullabye—”
  Rocks the burnt-out planet free!—
Father, Son and Holy Ghost,
  Reach a hand and rescue me!

Ah, the voice of love at last!
  Lo, at last the face of light!
And the whole of His white robe
  For a cloak against the night!

And upon my heart asleep
  All the things I ever knew!—
“Holds Heaven not some cranny, Lord,
  For a flower so tall and blue?”

All’s well and all’s well!
  Gay the lights of Heaven show!
In some moist and Heavenly place
  We will set it out to grow.

Knows he who tills this lonely field
To reap its scanty corn,
What mystic fruit his acres yield
At midnight and at morn?

In the long sunny afternoon,
The plain was full of ghosts,
I wandered up, I wandered down,
Beset by pensive hosts.

The winding Concord gleamed below,
Pouring as wide a flood
As when my brothers long ago,
Came with me to the wood.

But they are gone,— the holy ones,
Who trod with me this lonely vale,
The strong, star-bright companions
Are silent, low, and pale.

My good, my noble, in their prime,
Who made this world the feast it was,
Who learned with me the lore of time,
Who loved this dwelling-place.

They took this valley for their toy,
They played with it in every mood,
A cell for prayer, a hall for joy,
They treated nature as they would.

They colored the horizon round,
Stars flamed and faded as they bade,
All echoes hearkened for their sound,
They made the woodlands glad or mad.

I touch this flower of silken leaf
Which once our childhood knew
Its soft leaves wound me with a grief
Whose balsam never grew.

Hearken to yon pine warbler
Singing aloft in the tree;
Hearest thou, O traveller!
What he singeth to me?
Not unless God made sharp thine ear
With sorrow such as mine,
Out of that delicate lay couldst thou
The heavy dirge divine.

Go, lonely man, it saith,
They loved thee from their birth,
Their hands were pure, and pure their faith,
There are no such hearts on earth.

Ye drew one mother's milk,
One chamber held ye all;
A very tender history
Did in your childhood fall.

Ye cannot unlock your heart,
The key is gone with them;
The silent ***** loudest chants
The master's requiem.

My heart is what it was before,
  A house where people come and go;
But it is winter with your love,
  The sashes are beset with snow.

I light the lamp and lay the cloth,
  I blow the coals to blaze again;
But it is winter with your love,
  The frost is thick upon the pane.

I know a winter when it comes:
  The leaves are listless on the boughs;
I watched your love a little while,
  And brought my plants into the house.

I water them and turn them south,
  I snap the dead brown from the stem;
But it is winter with your love,—
  I only tend and water them.

There was a time I stood and watched
  The small, ill-natured sparrows’ fray;
I loved the beggar that I fed,
  I cared for what he had to say,

I stood and watched him out of sight;
  Today I reach around the door
And set a bowl upon the step;
  My heart is what it was before,

But it is winter with your love;
  I scatter crumbs upon the sill,
And close the window,—and the birds
  May take or leave them, as they will.