You said title it--well, I don't remember, but it started with an L.
It, being a poem, or what I pass for poems these days, inspired by you.

If the title was a woman's name, some character to sew you into,
the back of my mind draws something up like "Lily Blue."
And Lily, I swear I remember everything but this poem's title.
With the night sky over Norman, you clutched my hand.
Lily, I felt your wrinkles, every tiny, sprawling line unreel
and become my own. I wanted you. By that, I mean I wanted
to lap off your foundation, suck the mascara from your eyelashes,
and lower your turtleneck, until we could trade -- your blemishes for mine.
You pulled me along, making me your jaywalking accomplice.
Since the night began, it was always ending. Despite that certainty,
forward. The wind mastered everything. Scattered the curls of your hair.
Whispered along telephone wires. Insisted our blue jean legs go west.
Framed by streetlights, we stood beside your car. You let go of my hand.
And there was wind. And I was bending. And your pupils withered.
Until the bravery buried under your turtleneck guilted you into
kissing me. Though I didn't say it, seven years, I'd been waiting.
And I was bending. "This might be the last time I see you," you said.
Night ending, pupils withering, we kissed again stupid, hoping.
Hoping our lines would stitch. Reserved forever in that space.

But that wasn't the last time I saw you. If the title of this poem
is not supposed to be Lily, Laurie, Lo, etc., instead some descriptor
of some sacred day spent between us, it'd be called "Lazy Thursday."
Lazy, we planned for that Thursday. I was pajama pants and uncombed hair.
Potato chips waited on my ankle-feasting, Japanese coffee table.
Diet Dr. Pepper, to fuel your addiction, beside the bag. My
bed was what I consider "made." All I needed was you.
You were late. I envisioned one set of your knuckles
going white on the steering wheel, while the other held your second
"extra" cigarette. The playlist you wanted to make me before
I left, went from one subdued disc to a five-CD epic, as if
the extra hours I'd have to stay in Oklahoma to listen
to it would ultimately make me give up the idea of moving.
Five CDs. And that takes a while to burn. And the day was always ending.
Then a knock.
So soft, I nearly missed it. You walked in, eyes to the matted carpet, naked
walls, the vaulted ceiling -- anywhere but me.
We were just starting, yet facing a definite conclusion. Hard to know what
to do with your eyes, words, and hands.
Stuttered to the bedroom. Sat in my lap. You were tall. One day your
name etched below a statue. Your merciful neck was warm.
Within its calculated curve, I advanced until your perfume
washed away the day's rot.  We made love quietly.
Like two former professionals, content to be former.
Indulgent. We were hipbones and vertebrae. Soft lips tracing latitudes,
fingers finding every rill, until side-by-side on a twin-sized bed,
lazy under blankets.  

Maybe this poem was supposed to be called "Leave 'Em," in honor
of the way you blow your bridges up. Tell me which people
aren't worth my time. "She sucks, man. She really sucks."

Or perhaps "Lucidity is Overated" for the way you mix and
match medication and alcohol until your head's just right.

How about "Linchpin"? You are the friend that sticks around
after the funeral. Throws cement into the void. You're the godmother.
The babysitter. And I love how you rebuild everyone.
When I'm self-pity, you don't tell me to get over it.
Instead, you use excerpts from my own columns as
a way of reminding me of what's good within myself.
Since I began, I've always been ending.
And you're ending too. And you don't
need a clock or a calendar to know it.
But since we're fading out, I mean, you might as well
"Let Me Love You."

Bedsunk, hair in eyes, coughing the haunt of a 9 o'clock cigarette, she resigns to sleep.
I'm edges -- rough and looking to let the blood out.
Handful of skirt. I just want to cuddle. But her lips smell like her crotch tastes. Bubbling salt bog water. I'm doing the math. It's basic.
Under the shirt and pulling back the bra, lapping at her sunken breast, ouch.
Red. Smarting. And I never bit it.
"What did you do after work today?"

There are only two ways to truly know someone, sleep with them or take them bowling.
Phoenix Aime was the woman of my dreams. So, I took her bowling.

Paid for a game. Rented shoes. Got the little, sticky bracelet thingy that said Slippery Joe Lanes.
That way if we got in some sort of accident on the way home,
the guy at the morgue could identify us as bowlers. Anyway, here's the bulleted list of what I knew about Phoenix up to that point:

• She looked like Diane Keaton circa 1972
• She talked with great pretension concerning craft beer
• She only patronized two restaurants: Denny's and IHOP
• She was eight years older than me
• She kissed my sister once on a dare
• Her shoe size was 7
• She was perfect or a near synonym

The bowling alley was empty save a World War II vet in a wheelchair and his wife at lane six,
and they were barely there. Country music played over the loud speaker. And I felt cozy. Predictable. Like a payment plan on the QVC.

That was until Phoenix said, "I forgot something. I'm going to go talk to Mack real quick."
Mack worked the front desk, according to his name tag. Talk to Mack. She just talked to Mack. Mack was sleeping with her. I untied my shoelaces. Oh, Mack, love your red polo with blue tiger stripes.
I pulled my sneakers off. Oh, Mack, I love it when you dip your finger in nacho cheese and feed it to me. Slid my right foot into bowling shoe. Halfway in with the left, and my socked foot struck something plastic. A stick of tiny deodorant. Like unsavory truck-stop-to-truck-stop deodorant. Oh, Mack, I love it when you deodorize -- so hard. Pull the strings tight on the left shoe. Oh, Mack, rub the deodorant until your underarms are SO CHALKY AND WHITE.

"You okay?" Phoenix asked.

"Yeah, what do I look like something's wrong?"

She carried a seafoam green bowling ball with a Virgin Mary insignia. "It looks like you triple-knotted your shoes there."

And I said something dumb like, better safe than sorry.

"Sorry about leaving you all alone. Mack holds onto my balls for me," she said.  I bet he does. "I hate talking to that guy." What? "He's a vegan."

Now, at that time in my life, I was a vegan. And had planned some stirring remarks about the processing of sweet little piggies into cancerous hot dog machines on the way to pick her up. Thought she would think me full of passion, "on fire" for a cause, you know? The wise thing would have been to say, oh well, I'm a vegan. But instead I asked, "What do you mean?"

"You know serial killer's get a last meal before they're executed, right?"

"Right." Where the hell is this going?

"Well, have you ever heard of someone on death row requesting a last meal that didn't involve some sort of animal product? Gacy had buckets of chicken, Bundy had a medium rare steak, even uh, shit, what was his name, McVeigh, Timothy McVeigh he had two pints of mint chocolate ice cream. Dairy."

"I'm not sure how this refutes veganism."

"Nobody is a vegan for their last meal. Nobody. I'm not going to subscribe to a diet that I can't follow until the very end. Live every day like your last, that's my motto."

"That's your motto." I said. To be a great listener, just repeat the last three or four things anyone says to you and raise your eyebrows a little bit. (Examples: "My dog died." -- "You're dog died.", "I never ate breakfast burritos again." -- "Never ate it again.", "I love you." -- "You love me.")

Over Phoenix's shoulder, over by lane six, the wife wheeled the World War II vet up to the lane. And he tossed the ball. Good team, I thought. Want to know someone take them to the bowling alley.

Phoenix removed a glove from her pocket. She had her own ball. Brought her own badass, jet black bowling gloves. And if her carnivorous tendencies hadn't already put a chink in the Golden Days of Josh and Phoenix, that glove did.

She typed her name first on the scoring computer. Didn't ask if I wanted to go first. That's fine. Approached the lane, three fingers inside the Virgin Mary. She brought her bony arm back with the grace of a ballerina tucked away stage right in the shadows. Mary cut from grace slid down the lane with a spin.

Strike. I couldn't really see the pins from my angle. But I recieved a transmission via the "yes" and arm pump. That was two marks against her, and I was going to three. I'd call it strikes, but well, the whole bowling skew.

Here's a bulleted list of what a "yes" and arm pump immediately taught me:

• She takes bowling serious.
• If you take bowling serious, when do you relax?
• She'd never relax.
• My life would be tucked shirts, matching belts and shoes.

For six frames, I picked up fours and sevens. Phoenix, though, nothing but strikes. I threw a gutter on frame seven. Like a normal human being, I shrugged. Made a face out the sides of my mouth. Kept it light.

"I thought you were a grown ass man," Phoenix said.

"Me too."

What happened next, I willed. I'm not god or anything like that. At the time, just cosmicly pissed.
Her step stuttered. 7-10 split. "Mack!" she screamed. "Floors are slicker than a used car salesman's hair."

From across the alley,
"Sorry, Phoenix, baby. I'll bring you some nachos. That make up for it?"

"Ain't gonna knock down two pins is it?"

"So, uh, no nachos then?"

"Actually, go ahead and bring those."

She lined up. Back straight. Legs together. She rolled her neck. "You're about to see how it's done."

And I didn't. She broke it down the middle. Field goal. In that moment, that holy moment, I was knowledge plateau. Vindicated.

For about 10 seconds.

Mack swaggered over, nachos in hand. "Phoenix, sweetie, you okay?"

"Do I look okay?"

"No, that's why I asked."

"Just give me the nachos."

"Ah crap." Mack had gotten his pointer finger in the nacho cheese.

"Let me see it."

And right there, right in front the Virgin Mary seafoam green bowling ball, she slurped the cheese off his finger."

Frame seven, a good as time as any to call it a match. The wife of the World War II vet kissed her husband's forehead. Handed him a ball. As I walked by, hand on shoulder. "Struck gold, dude."

You know how the Lorax spoke for the trees? I feel the need to speak for my four-year-old niece. Not because she can't speak -- she can and rarely stops once she starts -- but because there are certain concepts time has yet to grant her. So until time does, I got you covered, Lucy.

Mommy,
you call it the "poetry" of a child's sleep,
ohh 'n ahh, she's so, so sweet,
I call it child's "pose." Not the yoga neither.
I'm posing and rolling and cooing
biding time until you're tripping on the
Ambien retreating to a dream.
You're only reprieve.
'Cause when your ass is asleep,
I be mixing up the Play-doh,
red and yellow, black and white,
'till it's 50 shades of brown, alright?
Dirt pies from the backyard,
put 'em by the brownies
in the morning world-weary in your pajamys
Slip-up, slip-up, I smell a slip-up.
Ain't a direct threat, Queen Buttercup
because you'd just say, "I ain't afraid of you, shorty."

Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?

Over my shoulder, drinking from a thermos --
stumble in your step mean you gettin' nervous--
hand me piece of paper and two crayons
macaroni orange and swamp water liaisons
these coloring sheets are so bourgeoisie.
These coloring sheets are so bourgeoisie.
"Color outside the lines, eh Lucy?
don't play by the rules," my Mommy say,
but I been around long enough to know dat
'dese rules pay. Outside the lines?  Is just uh sloppy.
Been outside the club in front of the line
with my fellow shawties.
Slip-up, slip-up, I smell a slip-up.
Ain't a direct threat, Queen Buttercup
because you'd just say, "I ain't afraid of you, shorty."

Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?

Chicken and fries three meals-a-day.
Chocolate milk three meals-a-day.
Tricycle boys three wheels away.
Hands on your hips can't make me stay.

Lego blocks lodged in your skull.
I've hid the Advil. The Dayquil. Drank the Nyquil though.
Alright, alright, time to get confessional.
All my potty accidents are intentional.
I melt my own Barbies to feel alive.
Snort glue sticks just to get hella high.

Mommy, you've got a messy ketchup face.
Mommy, you've got spiders in your hair.
Mommy, you've got pee-pee on your pants.
Ha. Ha.
Ha. Ha. Ha. Ha. Bi-otch.

Blood flow. Blood slow. Simmering, saucy.
Mommy, looking down skyscraper balcony.
May I remind, a giant ain't bringing down Manhattan,
It's that little, wayward wrecking ball, eh Captain?

we, mistakes made in groping dark,
ironed and cheekkissed happy accidents,
told we arrived by love, and our purpose forward: to love.

we were chocolate milk runners.
we were completion grades.
coloring sheets of MLK and jagged cutouts of billy goats.
we were girls in sequined jeans with scraped knees.
on the basketball court we pushed pigtails to concrete.
rumors of us kissing in the lobby waiting for our rides
did circulate.

we, skinny white girls of Moore, Okla.,
skipped supper and laid at the feet of TV-watchers
like bleached branches of fallen oaks garnishing their standing brothers.

we were doorbells.
we were passenger seats.
peeking in the teacher's edition and handshaking answers in fluorescent bathrooms.
we were the first ones on the bus and the last ones off.
knees to chin, untied laces on heater's hump, winterlong sweat factory.
rumors of us agreeing to go to prom over fourth-period lunch
did circulate.

we, writers suffered writers' morality,
disregarded right, wrong, norm; lounged, waiting to be under the bus,
suffering for the story. tense matchstick lovers --  dim light for a moment and then.

we were someone else's breasts.
we were someone else's hairpins.
as whatever ran so hot in us cooled, dried on thrift store comforters,
so did we. ceiling fans and pot. fingernails and boxed wine.
rumors sustaining.

and so it came, after announcements, after invitations,
after subbing in one bridesmaid for another, we were getting married.
we were grooms with empty pockets and full of sound advice.
our fathers took us behind the church,
chaplipped our foreheads,  and said,
"I know, we promised you were made from love and to love.
But I gotta be real honest here. You were made from whiskey.
And there's always the distillery."

we were jobless in wrinkled suits.
we were brown shoes; black belts.
and this will look good on your resumé. and this will look good on your resumé.
translation: how about sucking this dick? or how about this one?
a resumé was one page. we couldn't fit all the dicks on one page.

we, beardheavy and deodorant-streaked,
lived in dream houses in Ulysses, Kan., drove dream Tahoes,
watched dream Netflix, next to  portly wives who looked like
QUEEN MOTHER OF ALL THE BROTHELS OF THE LOWER MIDWEST.

we were childless.
we were wanting.
after consulting a physician and a bottle of whiskey,
we lifted and pinned the sagging belly of our wives with
a wooden board. one good fuck in. one borrowed pregnancy test.

and so it came, the weddings of our sons. behind the church,
we took them aside and said,
"I know, we promised you were made from love and to love.
But I gotta be real honest here."

Evangeline (is that what you want me to call you?),

While I hope you don't have to use it, attached is my edit of your suicide note. I just tweaked the grammar on a couple sentences and uncapitalized a random "E." Might consider being more specific. It's hard to tell who is to blame, if you're looking to blame someone. The verbs are very passive. Makes your end seem like a commercial break. Just a suggestion.

Love or a near synonym,
Josh

"Still water runs deep." - Yiddish Proverb

To sail within a boat
never rocked or tucked within a sea.
Long grass kissing the bow.
Mosquito hum, siren stand-in.

Brother big, brother strong.
I, the groove of big brother's elbow.
Clothes on the line.
Canary yellow, A-line dress.
The spring girls swelling, rippling
from the bashful shore.

Big brother hold me over edge.
My arms, my oars.
Splashing pasture, blades receding.
Adults at birthday parties.

Brother big, brother mast.
Climb.
Not only sail, but zephyr, I.
Snake through Rusty Bike River,
the tributary.
Spill.
Into the wide, into the Harding Family Ocean.

Where dolls, hair frayed and faces smooshed,
lounge half-submerged and mostly forgotten.
Where sea dogs test chain, test spike.
Eye the confident chickens strolling dock.
And then Mother turns on porch lamp,
soft words, ebbing to lighthouse.

Brother big, big brother.
My arms, my arms.

In my graduation t-shirt,
and it fits right,
she finger-and-thumbs
the switch on my desk lamp.
Lights on.
And I'm getting too thin.
It shouldn't fit right.
"No, no. I want it dark," I say.

"Tell me what's off limits."

Her eyes, big and wet with bongwater,
wash over me. I'm pebble. I'm allowed.

"Why?"

"I want to know what's off limits
so I know where to set my goals."

I believe in love, even at first sight.
Just not the eternal kind. And I love
her when she says things like that
because I created her. And when
you create, and the creation reaches
perfection, all you want to do--
destroy. Hammer to head. Crowbar
to Parkinson thighs. What's off limits?
What's off limits? What's off limits?
I can't stop.

Before I respond,
with adolescent delight
she tears me open by the pearl snap.
She lifts her arms up.
Surrender? No. She's a sycamore.
I'm the wind.

Body bare and body scattered,
congregate at the inosculation
of her trunks. She's a sycamore.
I'm the wind.

Wavering.
Leafless.
Pot-addled.
And the breeze doesn't do it.
And the seasons don't affect it.
Gale force insanity.

I climb her branches.
Beard wet with her.
She wipes her off.

I climb her branches.
I can't stop.

Grows into me.
Trunks entrap.
Elevated, she.
And I, well, I

stumble.

Hit the wall.
Concrete, everything.
I press her against it
so hard, she turns to waste
and passes through.
I press her against it
so hard, I can't stop.

Autumn acorn fingertips,
a river emptying to ocean,
and she asks,"Is this off limits?"
as she turns me sharply
and my back collides with the wall.
"Is this off limits?" she asks as she
pounds her head into mine.
"Is this off limits?" she asks as she
claws my face.
"Is this off limits?" she asks as she
licks to heal.
My will says yes.
My flesh says no.

I can't stop.

The hot dogs blossomed, split in the boiling water.
Plumes of beef stock and corn syrup billowed
toward the surface.
6:00 p.m. and the anchorwoman addressed the living room.
Three dogs for Dad in Dad's recliner, one dog for Mom
in Mom's recliner, one dog extra in case she changed her mind,
and two for me.
Yellow mustard. Relish. A dead hooker in standard definition.
"Did you do something different to these hot dogs?" Dad asked.

"Is it bad?" Mom asked.

"It's just different," he said.

But even that was the same. The same question. Same response.
Every Wednesday from '93-2005.

At 6:15, Dad would go blow his nose in the bathroom.
Put on a pearl snap button-down.
At 6:20, Mom would tell me to put on slacks.
"Good Christian men don't wear shorts to church."
That's right. But I didn't have the heart to remind,
the best of them wore dresses.

Mom would drive. Dad would be in the passenger seat.
He perpetually directed her to stay as far to the right side
of the gravel road as possible.
"One of those baboons will come flying over the hill.
Middle of the road. And if you don't get over,
we'll all die. Or at least a couple of us."

We'd get to church.
And all the old women
with their purple hair and ill-fitting
bracelets of golden-colored metal,
named after precious gemstones (Ruby, Pearl, etc., etc.),
would kiss my cheek.
We'd sit three rows back from the front.
And as the song leader began "Jesus Hold My Hand,"
all I could think about: dead hookers and hot dog juice.

Some people feel like places. And these people are vacations. These places are people. Freckled wall paper. Foyer tunes whispered. They are supermarket candles. Wavering flames by way of unsealed windows. They are blinds, these places. And you see through. And you hope through, these people. Pulling back curtains of brunette hair, applause deserved. Delicate, delicate. The slightest noise could alarm clock and send you back to work. Silent, silent. It's rest. Try hard to relax. She's a mole between breasts. She's scar tissue on an ankle. And this place, this place smells of honey; tastes like almond milk. "In a perfect world what would you do tonight?" Sleep in this place. Wake inside this person. Simple. Clean. In a perfect world, morning sewed with lavender clouds, tall grass, and a watercolor sun unseen before. And this place likes eggs over easy. And this person warmly invites like white lenin.

"good luck," they think it means.
brides, grooms, hell, even the kids in the club.
and the notion that the phrase comes with the
shattering of glass under a custom print napkin--
just wrong.
it's important to be mindful of what mazel tov means in
that moment, sure, but it's also
important to be mindful of what mazel tov
means in the everyday. the ritual.
see, mazel tov means "what good fortune."
and I know, I know, sounds pretty
damn close to "good luck."
but think about the glass.
all these tiny pieces to pick up
and you say, "good luck."
have fun picking up the shards.
don't cut your finger.
saying "good luck" in that moment
makes you an ass, but "what good fortune"
sounds like you got something up your sleeve.
and you should. in this life, always. always
a few tricks. you know when I was little,
my mother asked me what I wanted to be
when I grew up and I told her, I said,
"I want to be a magician."
her response, "you can't do both."
she's right. that's no profession for an adult,
but you can be an adult and a
magician on the side, as a hobby,
that's alright.

wait.

what was I talking about?
magicians, magicians, oh. tricks.
how else are you going to get by?
mazel tov is a mind trick.
see, we say "what good fortune"
when the glass breaks to reframe the
situation. what's your reaction
to that sound? your ears perk up--
if ears can actually do that, I don't know--
the hairs on your neck stand up.
I guess they can't really stand in the conventional
sense, but, well, you feel the space of a room.
and after that beautiful sound, and I mean beautiful,
you are forced to take everything else into account.
you don't want anything else to break. what matters most,
you know? that's why we say "what good fortune."
I'm delighted to know something as worthless
as glass has broken. because now I'm more
careful with what's valuable to me. right?
you spill soda on a cloth seat in your new car.
mazel tov.
now you don't have to be paranoid
every time your nephew climbs in with an Icee.
it's material crap. just crap. you're alive.
you've got a car. be thankful for what you have.
reframe, you know?
your girlfriend, your wife leaves you for a
former high school quarterback turned
owner of a lawn service company.
another casualty of the sweaty, lemonade-fueled fantasy.
once again, mazel tov.
you are so lucky you didn't spend the rest
of your life with her. the glass shattered.
it's a beautiful sound.

coupon for Granny's Original 32% All Natural Oatmeal®
cart-to-cart down aisle 48 and this man's an affront to khakis
and this woman's brain runs off a child's complaints
BLIZZARD 2013
according to the radar, buy 80 pounds of rock salt
from The Home Depot®, more saving. more doing.™
more rock salt. more doing
BLIZZARD 2013
according to the radar, buy two-weeks-worth of tuna,
a pallet of Pepsi Max®, and four loaves of Baker Good's NeverMold Bread®
all for $21.99 with your Sam's Club® Rewards Card
BLIZZARD 2013
cart-to-cart down aisle 62 where once there was soda, now an I.O.U.
and I read on the internet that the preservatives in diet cola will keep
my body from decomposing and I read on the internet that these
dented, discount tuna cans will give me botulism
BLIZZARD 2013
one jug of water from a spring in Mountain View, Arkansas
one jug of water from a spring in New Iberia, Louisiana
picking between Miley Cyrus and Hannah Montana
the pitter-patter on the warehouse roof reassures
time for eenie meenie miney mo
BLIZZARD 2013
and the intercom desperate for a cart wrangler
customer service now open for checkout
don't leave your toddlers alone in shopping carts
they're choking on free samples
with an echo, raindrops strike parking lot pools
just past the intersection an ambulance grumbles
BLIZZARD 2013
in a room with a view wishing the windowpane weatherized
beers bought by volume, candles forgotten, six months of
licorice, EverFluff® popcorn, and hand warmers of chemical kind
remembered
BLIZZARD 2013
will not be landing in the city, watch out for that rain though
if the temperatures drop below 32 degrees it could ice over
and if the temperatures don't, well, it won't

News 7's coverage of Blizzard 2013 brought to you by
The Home Depot®, more saving. More doing.™
and Sam's Club®, savings made simple.™

spitting merlot felt like wealth
boxed or no
what matter, she thought
as she watched the violet
run the rill of his back
rain on a saturday morning window

kissing teeth felt like youth
awkward sure
but nostalgic, he thought
as he watched her transfigure
17 in striped T in torn denim
Daddy's keys in a low-lit suburb

"Siri, I love you."

"You can't."

"Why not?"

"Would you like me to search the web for 'wine dot'?"

the priest, whose tomato face looked like it might explode under collar tension,
gave the valedictory at the friday night execution
the yellow-toothed, combover'd serial killer buckled in electric chair
kept staring at the door, expecting an ally to crawl in late but not too late
the mother of one of the victims rattled on about
how she didn't care that the killer had an allergy to the anesthetic used
in lethal injection      he's going to die either way     what's it matter?
buzz of fly    crack of rolled program against empty folding chair
(yes, there were programs, and whoever laid them out knew their typography)
buzz of fly raised upward, toward the black, magma-cooled ceiling
audience chin up, pupils circled fly as the priest droned on
about everlasting life like a Paul Simon song from his youth
like a catcher's mitt from his youth like a youth from his youth
the boyfriend of one of the mothers of one of the victims
said he was hungry    pancakes sound good, don't they?
I love it when syrup gets on the bacon, you know? love that.
a pudgy guard with bleary eyes and 12 a.m. shadow
rolled his index finger   lowered his brow, telling the
priest to wrap it up   so the priest wrapped it up
by reading the names of the victims
Tara Barnes, 17, Rachel Lythe, 10, Julie McPherson, 13,
Serenity Strongman, 15, and Mary Beth Williamson, 13
the priest said something about judgement as
the boyfriend of the mother of one of the victims
took another swat at the fly                       missed
any last words? the priest asked
where's James? the killer asked, he was supposed to be here
did you guys give him the right time?
the guard nodded to a lab coat by a black box
then a hiss then a hum then an inhale
the first jolt of alternating current for

instantaneous brain death

hard to tell if they succeeded in that
for the second jolt came only a moment
later    this shock's aim to fatally damage
the internal organs, overstimulate the heart
and the killer's face looked like a horse's leg
then an exhale then a hum then a hiss
and the killer's face looked like the crinkled
skinmemory of a cicada
it was late   most of the best restaurants already closed
but we could go to that diner off 63rd, the boyfriend
of the mother
of one of the victims, said

swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my balls," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-boobs fury
threw a fuckoff party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the pot.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.

six-inch heels abandoned
in lampless corner       grimy pennies embedded in carpet

rent's due

wedding band girl "fab polka dot frocks"
waterfalling past knees        outta place
on casino bus destined for rest under Ft. Worth stars
now, now    fingering borealis speckled dice

true love waits

socialite lip balm and bourgeoisie hips compete
in bidding war over which black face triggerpulls
which black face eyes the ground
passerby the red light      the green light
all night diner    egg on chin   coffee-stained porcelain   teeth

"I forgave, I think. I forget."

crowded and paranoid in the left lane    the right lane
empty and weak and surrender and soiled underwear in ammonia nursing home
children is a word     time is a lie the polka dot and the interstate ain't selling
divorce the consequence of acoustic shadows

reblog   undo   #sotrue    reblog

living through x-ray radiotherapy the dotted gown
never the veiny calves or the blush or the eyeliner
somewhere in North Texas shawtys are in the club
shawtys are backin' it up    shawtys are dropin' it down

hit me+hit me+hit me=blackjack mishap

the marvel of the wind and of wind turbines
cognac decade brides     the epitome of class and natural elegance
standing like oil derricks and treated like oil wells
so secretive and philanthropic

this taxon remains nameless

casino turned dance hall   dance hall   skinny ties still a thing
this wine is good. is it a merlot?    no.    this is purely recreational
for birthdays   for weddings    and Ft. Worth missionaries
10-50 passengers   we've got 53, no 54 #hahahaha #whoops #party

who needs unprescribed drugs? me, me (!)

decomposing mascara sweat on brow the interstate no longer lit
polka dots has got the suicide by Manet pulled up
on her iPhone the financial stress   which shudders warm-blooded moms
on her lips    every mother a librarian   every mother a swing-pusher

but digression    next to bitterness   the lowest sin

edging the cultural gateway of the old west
miracles in and miracles out of tradition following
the slender bends of middle ancient Trinity River
children a word   pattycake a game

and time   time a lie we left to museum panoramas

we're on a break,
meaning we catharsis fuck,
often in public places,
often with an edge of violence,
much like the session in the
family restroom, here at
Big Daddy's Bar-B-Que (travesty, travesty).

still waiting for Em to to finish "tidying up."
and the brisket is salty.
or it's the leftovers from her forehead.
she should have cut her fingernails.
thinking of a way to hide the blood trails
running wild on the back of my t-shirt.
catharsis, she says. it's healthy, she says.
Elvis croons over the arcane stereo system
and a white-haired woman with gelatinous
arms taps her fingers on the tabletop along
to "Teddy Bear."
the waitress keeps a hawk's eye on my
half-empty/half-full glass of water.
and I'm afraid to take a drink.

here comes Em. she's an athlete. and we're on a break,
meaning we don't see each other's parents.
don't nod and listen.
and don't say things like, "oh yeah, your sister Sarah. how's she?"
hallelujah, hallelujah. Em played point guard in high school.
her last official sporting endeavor. but twenty minutes ago
she told me to look up a complicated position
via iKamastutra on my phone
because she's an athlete, and I'd be "amazed at what
this
machine [her body]
can do."

but I hate when she says shit like that.
catering to an I'm-almost-certain-peg
of my fantasy. harder, harder
and before I finish, she insists on
swallowing
and
it makes me uncomfortable
but
we're on break, and to argue
would be a crucifixion to this "vacation."

I think about Elvis.
and wonder if any
woman is still alive that
swallowed his cum.
and when it's down
to just one, does that mean
anything?

"well that was fun," Em says.
her mascara wasted.
the brisket is salty.
I take a generous drink of water.
I hear the sound of breaking glass.
the waitress has busted
a bottle of ketchup in her
rush to refill my 2/3rds empty cup.

"mazel tov," I say.

the door opens to Neko's Grill
I turn, as I do with the opening of any door,
expecting it to be Anna, expecting her
face to go from that smilerest to that
statuesque, expecting that stone
to send me to her side in the hospital,
the time when the pills took too fast
and she didn't carry it out,
hospital gown, grey dots, white backdrop
my glasses filled up
and I watched my tears land on Anna's
cheek,
she wiped them away
"I love you" didn't bridge the space
in the waiting room
I poured a cup of coffee for her grandpa
I brimmed it
stupidly
and his shaky hands burned
and he told me he couldn't talk to me
and I knew why
so when he bellowed
the whole agony of the whole
human famile smoldered out of him
he leaned against me
we both burned
but the woman who walks
into Neko's isn't Anna
she's a decade older at least
her brunette hair tucked into
a knitted cap
she looks confident
quiet, if a person can look quiet,
and I wish she would say
I forgive you

so we undressed
and I didn't finish
and you felt self-conscious
and refused to read to me
like you did the night before
so I didn't sleep
but you did
and your brow was a shelf
and I wiped it off
like I did the night before
so the morning would feel clean
yet I missed a spot
and you said no one loved like me
and that wasn't a good thing
like a songbird that was more showboat
so I'm sorry lukewarm newspapers
and two wine glasses
and too empty
and you bit my lower lip until blood was drawn
like a misery, like a static radio song
so I bit your lower lip until blood was drawn
but that wasn't an anchor
but that wasn't a tether
but that wasn't criminal
like the soap operas and the 51st shade of grey
so we undressed
and turned on the history channel
and it didn't go anywhere
and you said history was for the historians
like lovemaking was for lovers
so we dressed
and you were a child in my clothes
and I talked down to you
and you took one last drink of my cologne
like a closing hymn collapsing on a dime